Slate virtual mix rack gearslutz pro#

Compared to the Avocet 2A Dac (Cranesong Solaris) its a bit more mid forward and not quite as dynamically resolved, but really very good. I swear I can hear the WIMA caps (I've had so many pieces of kit modded with these capacitors and they have a sound). Playback through the DACs is really nice. First off, the weight and feel of the interfaces is reassuring. Early days, but I'm totally impressed already. I got 2 VRS 8s with 5 ML-2s, for a total of 7 ML-2s. “Got mine! I was going to wait a few weeks to post, but 3 days in and I'm too impressed/caffeinated to wait. I remember closing my eyes and listening to a few records with a -eating grin.” I'm monitoring through a pair of Barefoot Footprints, and to my ears, the difference between the Apollo and the VRS8 is clear. This is actually the first thing I noticed when I plugged in my VRS8, and it's been the greatest triumph since day one. I love using one physical mic to get the sound of two perfectly in phase mics on guitar cabs. The beauty of swapping preamps and mic models is hard to put in words. I've recording everything from drums, DI guitars and bass, vocals, kempers, real amps, and on one occasion, a trumpet, all through this little beast. Paired with the ML-1 and ML-2's, this system is a recording freak. They are so clean, and have an amazingly low noise floor.

If you're an owner of the VMS you know exactly what I'm talking about. I can run what I need with super low latency, even at 128 buffer size. Slate Digital is a real game changer, for me.“First off, I love tracking with my VRS8 natively. I have to say that I am Shocked at how Good Your Plugins Sound on my recordings.

, as I am going for the fullest and most natural acoustic sound possible. Djembes have such an incredible dynamic range, that can really only be fully captured by good LDC mics ( Michael Joly, for me), good pres (Roland for me) and processed with good eq, and the mildest of transparent compression, ect.

Slate virtual mix rack gearslutz pro#

I record a lot of acoustic African Drums, and work in Samplitude Pro X, ( and Cubase), so I am very picky about my plugins and processing. And now You got me hooked on the Virtual Mix Rack ! You got me hooked on the Infinity EQ, which I was planning on buying outright, because it is such a Joy to work with !īut then I decided to try the subscription. Slate Digital VIRTUAL BUSS COMPRESSORS 'VBC' Tutorial by Steven Slate - YouTube You can hear what VMR, VTM, and VBC can do to a stereo Deluxe drums buss in this video: That was certainly the goal! It's also why 60% of the samples we recorded for Deluxe didn't make the final cut. It's good but alot of times it turns the phase around on every other trigger.īut all in all I'm so pleased with the slate subscription even if I don't care about kiloheartz, ana2, online courses etc. It felt a bit desperate to include a thousand small plugins to basically what your DAW plugins already could do.īut I found them useful for time to time.Ģ020 I would like some kind of soothe wannabe. Together with choptones I'm finally satisfied with guitars itb. But for me the thu rig player was a big one. Im not going there so I don't care but I understand why everyone wants it to work. Story of my life.Ĭatalina is definitely a time consuming piece of action.

That's why they write stuff that you're certain will come out but eventually something's happens and you have to wait. I think the slate team is a bit time optimistic.